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musical harmony

[网络] 音乐和谐;音乐和谐性

网络

双语例句

  • Cage was an iconoclast. He refused to be bound by western musical traditions of harmony and structure.
    凯奇是个反传统的人。他拒绝接受西方有关和声和结构的音乐传统的束缚。
  • It's more important to combine some music analysis methods such as musical form and harmony according to music characteristics of different creation means and point out relative music expressions.
    更重要的是结合曲式、和声等音乐分析,根据不同创作手段的音乐特点,挖掘它的音乐内涵,并提出相应的音乐表现手法。
  • This thesis analyses Tchaikovsky's creative style of opera, ballet music and symphony and sums up his ingenious means of musical expression to reveal the external aesthetic feelings of melody and harmony and the grave, grieved internal ones.
    这里正是通过分析柴科夫斯基的歌剧、芭蕾舞以及交响乐的创作风格,进而探寻其音乐中绝妙的音乐表现手法,从而揭示出柴科夫斯基音乐世界中旋律与和声的外在美以及庄重悲痛的内在美。
  • Are involved in the research process: musical form, harmony, piano accompaniment texture, form, mode and tone of the layout of the piano vocal melody and texture in the melody composed of two Vice-Ministry of digital audio technologies such as composition theory.
    研究过程中均涉及到:曲式,和声,钢琴伴奏织体形式,调式调性布局以及人声旋律与钢琴织体中副旋律所构成的二声部对位等作曲技术理论方面。
  • The Application of Psychology of Musical Education in Teaching of Harmony
    音乐教育心理学在和声教学中的运用
  • His theories for musical composition consist of the principles for tonal material organization, application of harmony, the arrangement of tonality as well as analysis of works.
    兴德米特作曲技术理论包括了音高材料的组织原则、和声的运用、调性的安排以及作品的分析等等。
  • Therefore the application of multiple-voice on most musical creation, it almost adopts the ways of European harmony.
    于是在多声部音乐的创作中所运用的和声,大多是欧洲大、小调体系的和声方法。
  • Next, assumptions of principles of soundscape design is sketched based on musical aesthetic theory, and the variability, abundance and harmony of the soundscape is verified.
    之后根据音乐审美理论提出声景小品设计原则的假设,并对声景小品设计的变化性、丰富度、和谐度三个原则进行验证。
  • In Chapter 2, I analyze the nationality features in his musical creation from the elements of rhythm, harmony, tune and so on, trying to grasp its outstanding originality on the application of nationality musical elements and techniques.
    在第二章,笔者从旋律、和声、调式等诸多创作因素入手,对丁善德钢琴音乐创作中的民族特性进行了分析,力图把握其创作对民族风格音乐要素的应用及创作手法的独到之处;
  • Harmonies are often absent unless one accepts the musical nuance of imitation as structured harmony.
    除非人们愿意接受仿效结构之美的细微差别,否则和谐之美往往都是不足的。